No Raw Finepix Viewer Software For Mac
PLEASE NOTE – the extension is NOT an app – you cannot interact directly with it. It installs an OS codec plugin used by Windows apps including. If you own a Fuji FinePix camera and you don't know what software to use to view your raw files on PC, look no further. Adobe Photoshop is.
Copy pictures to a computer via USB.
Windows (MyFinePix Studio)
Use MyFinePix Studio to copy pictures to your computer, where they can be stored, viewed, organized, and printed. MyFinePix Studio is available for download from the following website:
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Once download is complete, double-click the downloaded file (“MFPS_Setup.EXE”) and follow the on-screen instructions to complete installation.
Mac OS X/macOS
Pictures can be copied to your computer using Image Capture (supplied with your computer) or other software.
RAW FILE CONVERTER EX 2.0
To view RAW files on your computer, use the RAW FILE CONVERTER EX 2.0, available for download from:
Connecting the Camera
Find a memory card containing pictures you want to copy to the computer and insert the card into the camera.
Loss of power during transfer could result in loss of data or damage to the memory card. Insert a fresh or fully-charged battery before connecting the camera.
Ready a third-party USB 2.0 cable with a Micro USB (Micro-B) connector. Turn the camera off and connect the cable, making sure the connectors are fully inserted.
The USB cable must be no more than 1.5 m (4.9 ft.) long and be suitable for data transfer.
Turn the camera on.
Copy pictures to the computer using MyFinePix Studio or applications provided with your operating system.
When transfer is complete, turn the camera off and disconnect the USB cable.
If a memory card containing a large number of images is inserted, there may be a delay before the software starts and you may be unable to import or save images. Use a memory card reader to transfer pictures.
Connect the camera directly to the computer; do not use a USB hub or keyboard.
Make sure that the computer does not display a message stating that copying is in progress and that the indicator lamp is out before turning the camera off or disconnecting the USB cable (if the number of images copied is very large, the indicator lamp may remain lit after the message has cleared from the computer display). Failure to observe this precaution could result in loss of data or damage to the memory card.
Disconnect the camera before inserting or removing memory cards.
In some cases, it may not be possible to access pictures saved to a network server using the software in the same way as on a standalone computer.
The user bears all applicable fees charged by the phone company or Internet service provider when using services that require an Internet connection.
The Apple ProRes codec family provides an unparalleled combination of real-time, multistream editing performance, and impressive image quality preservation. ProRes RAW is based on the same principles and underlying technology as existing Apple ProRes codecs, and is ideal for High Dynamic Range (HDR) content creation in Final Cut Pro X, Motion, and Compressor.
ProRes RAW brings the same great performance, quality, and ease of use to raw video that ProRes has brought to conventional video. When you store a clip in the ProRes RAW format rather than in a proprietary camera raw format, you get more control over the processing of the image, including demosaicing, linear-to-log conversions, and custom LUTs.
With ProRes RAW, you can import, edit, and grade video with RAW data straight from your camera sensor — without slowing down your edit. ProRes RAW also provides maximum flexibility for adjusting the look of your video while extending brightness and shadows.
You can render and export faster with ProRes RAW than you can with other raw formats—ProRes RAW is optimized for macOS and the latest Mac computers. And you can fit more footage on every card because ProRes RAW files are smaller than standard formats.
Data rate
You can choose between two ProRes RAW compression levels: ProRes RAW and ProRes RAW HQ. Both compression levels achieve excellent preservation of raw video content, with Apple ProRes RAW HQ providing additional quality at a higher data rate. ProRes RAW data rates can vary significantly based on image content, because the codec is designed to maintain constant quality and pristine image fidelity for all frames.
Performance
Raw video playback requires decoding the video bit stream and converting the decoded raw image. Final Cut Pro streamlines and optimizes this conversion process for Apple ProRes RAW files. When you use ProRes RAW with Final Cut Pro, you get the same real-time, multistream video editing performance you experience with Apple ProRes RAW as you do with standard media.
And with the Mac Pro (2019), the Afterburner card accelerates decoding and playback of multiple streams of ProRes and Pro Res RAW video files for even better performance.
View ProRes RAW on your Mac
After you install Pro Video Formats on your Mac, you can view ProRes RAW files with QuickTime Player and Quick Look. Since ProRes RAW captures high-dynamic-range data directly from the camera sensor, footage may look overexposed on the display of your Mac.
Because ProRes RAW is an acquisition format created by cameras and video recorders with RAW data straight from your camera sensor, it's not possible to create ProRes RAW files from video software. To export ProRes RAW files to other formats, use Final Cut Pro X, Motion, or Compressor. You can't export ProRes RAW to other formats with QuickTime Player.
Learn more
- Apple ProRes RAW white paper (PDF)
- HDR and Wide Color Gamut in Final Cut Pro X white paper (PDF)